![]() Select all the images you wish to export.If you’re familiar with Iridient X-Transformer, it’s a similar type of DNG. When you use the correct settings in DXO photo lab, the software will export a DNG file which is demosiaced with the optical corrections and denoise/sharpness applied, but will still be editable in every other way including highlight recovery and setting the colour profiles. The final part of the process is getting your photos back to Lightroom. This will apply the settings to all of your images. Now select all the other images to which you wish to apply the settings to and from the Image menu choose “Paste Correction Settings” or Command + Shift + V. To do this, on the image you have been working with selected, go to the Image menu and choose Copy Correction Settings or press Command + Shift + C. The next thing you need to do is apply these changes to all the images you want to process, so that Deep Prime is enabled for all the photos you want to edit. You will make the bulk of your edits back in Lightroom, and these settings won’t be exported anyway. It should be by default, but just in case it’s been turned off, make sure it is on.ĭon’t make any adjustments to any of the other parameters, including exposure, contrast etc. I usually set the Global amount to -0.5įurthermore, make sure Chromatic Aberration correction is turned on. However, as this is a personal preference, I suggest you experiment with this on a few images and make your own decision. In my experience, this can be a bit too much and can leave your images looking a little too sharp, or over processed. The only other thing you might need to do is turn down the default lens sharpness. This is because Deep Prime is only applied at the export stage. Notice that you won’t see the effects of Deep Prime straight away. To turn on Deep Prime, select an image, and go to the detail tab in the corrections interface (top right) and under the Denoise heading turn Deep Prime on. However, when DXO added Fujifilm support they tapped into the Deep Prime engine to get superior raw conversions, and this seems to hold true based on my experience. So, what is Deep Prime? The technology uses artificial intelligence to denoise an image at the demosiacing stage of the raw conversion process. To get the best quality conversions with PhotoLab, you need to use the software’s Deep Prime noise reduction technology. If you hadn’t read that previous article, don’t worry, I’m going to cover everything again now anyway. The second thing that is different, is that you’re only going to use the DNG with optical corrections only setting. The first is that you don’t need to worry about setting the colour profile, as you’re going to set that in Lightroom anyway. The settings to use when pre-processing files in PhotoLab are more or less the same as what I recommended in my previous article about using PhotoLab for Fuji files, but with a few exceptions. How to pre-process in PhotoLab and what settings to use Just click download when the pop-up dialog appears. If it’s the first time you’ve used this lens and camera combination in PhotoLab, it will ask you to download the corresponding Lens Correction Module(s). This will then open the RAW files in PhotoLab. From the File Menu, choose: Plug-in Extras > Transfer to Photo Lab 5.In Lightroom, Select the photos you want to send to PhotoLab.Here’s what to do to send your images to PhotoLab Luckily, PhotoLab makes it easy to send files from Lightroom to Photo Lab and back. ![]() ![]() Given the time and file sizes involved, you’re probably better processing one at a time, or in small batches. As with any of these kinds of workflows, you’re presented with two options - convert everything first, or process images one at a time. ![]()
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